Two of my sons came home for a visit the weekend after my birthday. One carried a florist’s bouquet. As I pulled back the delicate tissue paper and lavender satin
ribbon, I seemed to hear Patricia Neal’s smoky voice. “Flowers,” she whispered. “In the dead of winter!”
Amid smiles, hugs, and centering the fragrant blooms on our coffee table, Neal’s words lingered in my thoughts. The movie was The Homecoming: A Christmas Story, a pilot for the old television show, The Waltons. You remember — the Great Depression, a large family. John-Boy. When Olivia Walton (Neal’s character) receives the flowers, her sense of awe is tangible. “Flowers,” she says. “In the dead of winter.”
With those few words we understand Olivia. Her rural poverty. Her warmth and love of beauty. Her wonder at the miracle of flowers growing in winter. The words anchor her in a different time and place, a time when folks couldn’t easily pick-up fresh floral bouquets year-round.
Other than a few blogs and articles, mostly I write historical fiction. Reading it has taught me the need to ground my heroine in the time she lives. I must make her era come alive through her thoughts, deeds, and dialogue. What does she find wondrous? What might she fear? What does she believe? How does all of that influence her words and actions?
It takes a light hand to do this. No long rambling diatribes. Just something simple. Something like “Flowers. In the dead of winter.”
→If you write historical fiction, or any fiction set outside your own norm, what have you found helpful when creating your characters? How do you sculpt them to make them appropriate for the time or place in which they live?

Changes are a part of life but how often we resist them only to find ourselves bogged down in the mire of monotony. A prime spot is in our personal lives. Recently, taking a lesson from nature, I made a few changes in my life. Small ones but, in subtle ways, they’re making a big difference.
some candles and, seated together in our rearranged family room, we listen to
we drive up to a tree farm at the base of the Pocono Mountains to buy a real wreath. Oh, I love the piney smell that oozes from a real tree indoors. A wreath hanging outside in the cold doesn’t give off such a scent. But that’s how things have developed in our home. We trim a fake tree hauled up from the basement, and hang a real wreath hauled down from the Poconos. It’s now a tradition.


Nor is Sunnyside a house that prompts thoughts of great wealth like
In 1835, after an adventurous life in America and abroad, noted author 


